et al is a publication that challenges the prevailing elitist structures of fashion and art by centering themes of collective consciousness, posthumanist perspectives, and the subversion of capitalist cultural hegemony. Rooted in an interdisciplinary approach, the publication bridges fashion imagery with sociology, philosophy, and anthropology to critique and reconstruct the visual economy of wealth, class, and identity. It does not reject the creative industry's aesthetic language but recontextualizes it as a tool for critique, turning its historically exclusive visual codes into mechanisms for discourse and accessibility. The foundation of et al lies in the belief that contemporary artistic production must move beyond individualistic and market-driven narratives toward forms of visual storytelling that engage with broader social structures. Through commissioned works from artists, writers, and photographers, the publication serves as an evolving dialogue between artistic expression and political critique, resisting the commodification of culture while remaining visually compelling. By integrating conceptual and documentary approaches, it creates a space where artistic radicalism coexists with aesthetic sophistication, forming an accessible yet subversive medium for both industry insiders and emerging creatives.